Travel plans for three men in ill-fitting wedding tuxedos goes horribly wrong. A follow-up to the 2011 comedy 'A Few Best Men'.

David and Mia meet and fall in love during a holiday romance. After a week, David proposes and they plan to marry in a few days. David goes home to England and gets his three best friends to return with him to Australia for the wedding.

Venice, 1596. Melancholy Antonio loves the youthful Bassanio, so when Bassanio asks for 3000 ducats, Antonio says yes before knowing it's to sue for the hand of Portia. His capital tied up in merchant ships at sea, Antonio must go to Shylock, a Jewish moneylender he reviles. Shylock wraps his grudge in kindness, offering a three-month loan at no interest, but if not repaid, Antonio will owe a pound of flesh. The Jew's daughter elopes with a Christian, whetting Shylock's hatred. While Bassanio's away wooing Portia, Antonio's ships founder, and Shylock demands his pound of flesh. With court assembled and a judgment due, Portia swings into action to save Bassanio's friend.

When Will, an affable and ageless guardian angel, discovers he is being taken off the case of Amanda, the woman he's guarded for ten years, he discovers a funny feeling, a feeling that tells him he can't let her go, a feeling that angels are not allowed to feel, a feeling we call LOVE. Much to the chagrin of his best friend, and hoping desperately not to be caught by "The Boss", Will embarks on a campaign to win Amanda's heart away from the new men in her life, Ben. Will gives up his wings and makes himself 'visible' in the world and to Amanda for the first time. The only problem; as well as he knows Amanda; she has no idea who he is. And Will only has seven days to make her fall for him or he will be the one to take a fall, losing everything and becoming a fallen angel. Will discovers being human isn't as easy as he thought as he tries (and usually fails) to fit in...

In London, a young man fancies himself Jean Paul Belmondo. His flat is decorated with movie posters, he mutters in French, smokes cigarettes, dresses as if he's in '60's Paris. His mother calls - to her he's Trevor - and reminds him to pick up his younger sister, Minne. He meets up with her; she's accompanied by Tim, a friend. Trevor takes them to a French film. On the way out, he overhears a couple talking. She likes the film, her date doesn't. In character, Trevor punches out the guy. The young woman runs off and Trevor chases her. Has Trevor as Belmondo already pictured this scene?

In 1917, in the Western front, a group of survivors of the British Company Y reach the most forward German trench in a foggy night. They capture a German soldier that advises that evil is in the trench, forcing the soldiers to kill each other, and asks them to leave the place. Only the private Charlie Shakespeare listens and helps the prisoner, while a supernatural force scares and makes the soldiers insane.

Between world wars, the Whittaker's estate is sinking; only the iron will of Mrs. Whittaker staves off bankruptcy while she awaits her son John's return from the continent. To her dismay, he brings a bride: an American widow who races cars. The bride, Larita, thinks she and John will visit and then go to London, where he'll work and she'll race. But John is to the manor born, and mother is nothing if not a master at plans and manipulation. Soon it's all-out war between mother and bride, with John's father, a burnt out veteran of the Great War, in the bride's corner ineffectually. Mother has a plan to join with the neighboring estate; only Larita is in her way. Can't we all get along?